Film Industry Under COVID-19

The outbreak of COVID-19 has impacted the film industry enormously, from production delays to massive layoffs. To support our community of industry professionals and film lovers, CIE presented a special internal Speaker Series, entitled “Film Industry Under COVID-19,”  on May 3 We were thrilled to have Maria Lo Orzel, Head of Asia Task Force at Producers Guild of America, and Derrick Hsu, Chief of Staff to the President at Stampede Ventures, join us to discuss industry trends, short- and long-term impacts, and post-pandemic plans.

The Pandemic: Crisis vs Opportunity?

  • Derrick: Although many productions are shut down, the shift to streaming services is an ongoing trend. Notably, animations, especially content for kids and family, sees increasing popularity due to the work-from-home order. Streaming platforms that already caught the animation trends feel less pressured by advertisers during the pandemic.

  • Maria: There may be a huge demand for content after the pandemic. Filmmakers and producers should better prepare themselves during this hard time.

Trends: Streaming Services vs Traditional Networks

  • Derrick: Film studios used to have both theatrical and VOD channels as sources of revenue but are now left with the latter channel. As the benchmark of streaming content is getting better, companies should consider improving cinema experience.

  • Maria: The theatrical window is a business requirement driven by the market. Especially in Europe and the US, the theatrical release is still in demand; it is a marketing tool and part of the expense, rather than income, in our business models. On the other hand, streaming services are like food delivery to your home, whose developments do not shut down theatrical opportunities but make “the pie” bigger.

Take Action: From Individual to Industry

  • For professionals: Keep creating. Make the full use of digital platforms, such as Tik Tok, Instagram, and Youtube, to absorb and present quality content.

  • For companies: While executives at big companies are looking at their budgets more closely, branding should never stop in the midst of chaos.

  • The Guild: As always, through collecting and sharing resources, the various guilds in the industry are there to support their members to find grants, loans, etc.

Post-Pandemic Production: COVID-19 as a topic?

  • Derrick: For the theater market, the pandemic can hardly turn into an event movie. For the streaming market, subscribers would welcome broader kinds of content to attract new users while keeping current ones engaged.

  • Maria: Positivity is what the audience will look for after the virus. Just like the Golden Age of Hollywood after the Great Depression, story-telling after the pandemic may value positive content that reflects on topics, such as how the society should move on and how to treat each other with more respect. Therefore, there may not be a trend in producing movies about the virus unless it’s a unique angle.

Short-form Video is the New Wave

  • During the pandemic, we see increased popularity of short-form video content and the success of Tik Tok or Youtube who caught the trends. Big brands and stars have reaped the benefits of embracing short-form video content, especially on social media. Among these platforms, Quibi, as a developing OTT platform, faces many controversies over its business model. There are voices questioning its 100k budget per minute, the old-school “star-driven” model, and the similar UI/UX to Netflix. Its UX design may not be the best way to interact with the audience or differentiate from other similar platforms. What’s behind these criticisms is people’s need for innovations.

  • Exploration and cross-pollination are two effective ways that lead to successful innovations.

Final Words:

“It is a time of challenge, but also a time to re-examine what we have done and explore what we can make. Many film festivals have been delayed or moved online, and CIE also canceled its Monthly Mixers, unfortunately. But our love for films never dies. Innovation is what both speakers mentioned the most, so we encourage everyone in the CIE community to: Keep imagining, creating, innovating, and shining.”

Unveil the Green: VFX and Modern Filmmaking

In Sino Screen’s Speaker Series on November 17, we invited the visual effects director who was appointed by Oscar. Starting from the macro concept, the lecture is full of rich content, and at the same time witty and interesting.

All guests shared their experiences on how to enter the field of visual effects and also brought video clips of previous works to share their stories with the audience in a more concrete image. Starting from the interpretation of visual effects, Jacques and Cao Han also admit that the production of special effects is a tedious process, and they often encounter situations where the production effect is not as expected. Hongchun Zhu also introduced the difference between visual effects and animate effects. The visual effects director Jacques introduced the "one-stop" process of visual effects from pre-planning to subsequent production, to help audiences more effectively understand its operation in the industry. The four guests also shared their thoughts on the future development of visual effects. They all thought that technology would be the key factor to change their future.

The dispute is the active interaction between the audience and guests. As a special effects artist, Cao Han suggested that for projects that require visual effects, the communication with the special effects artist should be as early as possible, and make sure to prepare as soon as possible. The host, Chuyan Fang, also started from his own work experience and briefly analyzed the front and backstage of the visual effects coordination planning.

Content Producing: When West Meets East

On September 22nd, 2019, Sino Screen presented its third Speaker Series about content producing. We were glad to invite our friend Mike Myles who is a veteran in cross-cultural collaborations working with top companies from CBS to iQiyi, and known for his hits such as The Rap of China.

In the first half of the panel, along with questions from the host Wang Yue, Mike Myles first gave us a unique interpretation of Hollywood “sociality.”

In this industry that emphasizes relationships, he thinks that “building relationships” is more important than “to social”. Also, in the film and television industry, no matter what profession, you need to have your own creative perspectives and positions, and you must stick to your own position.

He believes that the importance of leadership is better than professionalism in the work of producers. The most important role of the producer is to unite the power of the group and let each person release their abilities to achieve the desired goal.

Finally, when talking about the exchanges between Chinese and Western film and television industry, he said that in his years of cooperation experience, both China and the West need to learn from each other's strengths.

Digital Marketing Workshop

Nina Zou, the social media content producer in DJI North America, brought a unique digital marketing sharing lesson to CIE volunteers. Nina has extensive industry experience and has contributed many high-profile, popular marketing cases to DJI. Nina introduced the idea of marketing via explaining the concepts behind asking What, Who, How, Where and Why in the marketing process. Also, she shared the volunteers her personal tips to teach how to quickly create a good-looking visual content.